Human Vision
- 30-odd shades of gray – the importance of gray in vision
- 32 shades of gray
- A ballad of the senses
- Demystifying Colour (ii) : the basics of colour perception
- How do we perceive depth from flat pictures?
- How do we perceive photographs?
- How many colours are in a photograph?
- How many colours can humans see?
- Image resolution and human perception
- Is the eye equivalent to a 50mm lens?
- Mach bands and the perception of images
- More on Mach bands
- Photography and colour deficiency
- Resolution of the human eye (i) pure pixel power
- Resolution of the human eye (ii) – visual acuity
- Resolution of the human eye (iii) – things that affect visual acuity
- The camera does not lie
- The human visual system : focus and acuity
- The human visual system : image shape and binocular vision
- The wonder of the human eye
- What is an RGB colour image?
- What is the focal length of the human eye?
- When visual data becomes a dull noise
- Why human eyes are so great
How Digital Cameras Work
- From photosites to pixels (i) – the process
- From photosites to pixels (ii) – ADC
- From photosites to pixels (iii) – DIP
- How do camera sensors work?
- How does digital ISO work?
- How does high-resolution mode work?
- How many bits in an image?
- Megapixels and sensor resolution
- Photosite size and light
- Photosite size and noise
- Photosites – Quantum efficiency
- Photosites – Well capacity
- The basics of the X-Trans sensor filter
- The Bayer filter
- The different Angle-of-View measurements
- The size of photosites
- Things to consider when choosing a digital camera
- Those weird image sensor sizes
- What happens to “extra” photosites on a sensor?
- Why camera sensors don’t have pixels
- Why do buildings lean? (the keystone effect)
Digital Photography
- A new perspective
- A review of SKRWT – keystone correction for IOS
- Are black-and-white photographs really black and white?
- Can blurry images be fixed?
- Could blur be the new cool thing in photography?
- Demystifying Colour (i) : visible colour
- Demystifying Colour (ii) : the basics of colour perception
- Demystifying Colour (iii) : colour models and spaces
- Demystifying Colour (ix) : CIE chromaticity diagram
- Demystifying Colour (v) : colour gamuts
- Demystifying Colour (vi) : Additive vs. subtractive
- Demystifying Colour (viii) : CIE colour model
- Digital photography: some things just aren’t possible
- Do you need 61 megapixels, or even 102?
- Does flash photography affect museum artifacts?
- Every colour photograph is a manipulation of the truth
- Fixing photographs (e.g. travel snaps) (i)
- Fixing photographs (e.g. travel snaps) (ii)
- Fixing the “crop-factor” issue
- FOV and AOV
- From photosites to pixels (i) – the process
- From photosites to pixels (ii) – ADC
- From photosites to pixels (iii) – DIP
- How big are pixels?
- How do camera sensors work?
- How does digital ISO work?
- How does high-resolution mode work?
- How good is High Dynamic Range (HDR) photography?
- How many colours are in a photograph?
- Image histograms tell a story
- Image sharpening in colour – how to avoid colour shifts
- In image processing, have we have forgotten about aesthetic appeal?
- In-camera keystone compensation (Olympus) (i)
- In-camera keystone compensation (Olympus) (ii)
- Is the eye equivalent to a 50mm lens?
- Mach bands and the perception of images
- Making a simple panorama
- Megapixels and sensor resolution
- More myths about travel photography
- More on Mach bands
- Myths about travel photography
- Optical blur and the circle of non-sharpness
- Photographic blur you can’t get rid of
- Photosites – Quantum efficiency
- Photosites – Well capacity
- Pixel peeping and why you should avoid it
- Removing unwanted objects from pictures with Cleanup.pictures
- Resolution of the human eye (i) pure pixel power
- Resolution of the human eye (ii) – visual acuity
- Resolution of the human eye (iii) – things that affect visual acuity
- Spectre – Does it work?
- Taking photos with an iPhone from a moving vehicle
- The camera does lie – a paradox of sorts
- The effect of crop sensors on lenses
- The facts about camera aspect ratio
- The low-down on crop sensors
- The origins of 35mm camera film
- The realization of colour
- The simplicity of achromatic photographs
- Those weird image sensor sizes
- Unsharp masking in ImageJ – changing parameters
- What is a crop factor?
- What is a pixel?
- What is motion parallax?
- Why aesthetic appeal in image processing matters
- Why are lenses round, and photos rectangular?
- Why camera sensors don’t have pixels
- Why do buildings lean? (the keystone effect)
- Why photographs need very little processing